Process
Process
Hosiery is a textile product that is not only considered a raw textile good but is also classified as a finished garment. This unique material is one that is not manufactured or made available by any other traditional textile production methods. Its fiber content and knit structure can only be found within the construction of woman’s nylon pantyhose. With this in mind, it inspired me to create and apply this material to other forms and applications of garment construction. When my textile process was applied to a series of other garment constructions, it resulted in producing clothing that was comfortable and functional, not to mention figure flattering for woman of all shapes and sizes. This unconventional approach to creating fabric and garments enabled me to realize that i was reinventing a use for a textile that is traditionally discarded after one use.
Each garment utilizes both new and recycled nylon hosiery, which is hand-dyed, deconstructed, silk-screened, and heat set before it is reconstructed into yardage. Once these processes are finished, the new fabric is then draped and cut on a mannequin to ensure a custom fit and design. This process has resulted in the development of a material that is more stabilized, prevents pilling or running and becomes washable and functional, not to mention comfortable.
Since each piece is draped, there is a definite front and back to each garment produced. The Sans Soucie tag located on the left backhand side indicates the correct positioning of the garment.
Having a background in textiles and fashion has created avenues in both mediums. The techniques from both areas influence one another and as a result allows me, as a designer, to be more diverse. From the materials to the final product, i am able to fully execute my designs through dyeing, printing, manipulation and stitching. I am currently exploring with non-traditional materials (pantyhose, dryer sheets, etc.) and transforming them into functional, one-of-a-kind, ready to wear apparel. My interest in reinventing old materials isn't new, but my approach is.
photography by Ian Sheh